Lute for sale/ lutes in stock

 

Lutes for sale

Last updated 21/11/2025

Theorbo for Sale  

Student Paduan Theorbo

based on Sellas (Paris E547)

The Paduan Theorbo version of the Sellas E547 has been re-created from music scholar and composer Praetorius' Syntagnum Musicum II de Organographia woodcuts as seen above, this has been a valuable catalogue of instruments in scale drawings.The instrument is almost the same size or just short of the folding theorbo when folded  so the case is cheaper too and no extra cost for a folding mechanism needed. The original size of the Paduan theorbo is projected as 96cm with 128cm basses, the Sellas has a string length of 85.7cm so therefore has basses of 114cm in loaded Nylgut, since loaded strings were available for 7crs lutes already (iconographical evidence according to Aquilla) then the Paduan Theorbo is likely to have had them as basses rather than plain gut, allowing for a shorter neck but the same volume as the long plain gut basses. Of course if you are not too worried about authentic stringing then louder D type wound basses can be used.

The original Paduan Theorbo is 16crs but there's not much music for 16crs so the standard 14crs tuning in 440Hz is used. The ribs, neck and pegs are in slightly figured, varied toned natural pear wood, ebonised maple extended neck and ebonised pear wood bridge with black bog oak fingerboard. The larger rose is the same as the Sellas E547 as is the smaller bass rose. This arrangement has not survived well overtime on museum instruments, and the few Paduan theorboes that were made haven't  either making some doubt if they existed but I don't think Praetorius would have included a fictitious instrument in an accurate survey of instruments at the time (1614/15), some may have been converted to longer necked theorboes out of popularity but some theorboes with two sound holes  do exist as do a few paintings  as seen below being held by Lady Mary Wroth.

The original idea of a bass rose may have been invented by composer for archlute and chitarrone Alessandro Picinini in 1594 as an unusual ('experimental') instrument with a longer body than it's neck exists in the museum in Vienna as seen below:

This was made by a well known luthier, in Padua too! a forerunner of the Chitarrone, but it's easier for the luthier to extend the neck than the body, and easier to play too! The paduan theorbo can be heard via You Tube played by Tomas Korula (heard here) originally an inspiration to make this instrument available in the first place.

£2849 (case £828)

Vihuela for sale

 The Student Quito Vihuela or 'Marianita'

A new version of the student scaled down 'Marianita' vihuela or Quito Vihuela at 61.5cm so a bit easier to play. The body is made in English yew with some characteristic small knots and sapwood which seems popular for its 'woody' look. Neck and peg box in ebonised maple with  natural pear wood pegs, black bog oak fingerboard and a headstock veneer, ebonised pear wood bridge and end pin, alpine spruce top with golden rose so could pass as a small baroque guitar if restrung, movable frets in LS nylgut by Aquila. Case can be bought separately would fit a standard 3/4 size standard guitar case.

£898 (case can be bought separately usually, soft £15- hard circa £90)

13crs Baroque lute for sale 

 Based on Wolfgang Wolf( Stadtmuseum Fussen Nr4669/ Jonas Elg 1729 (Stockholm M220)

This small baroque lute is based the Wolfgang Wolf 12crs lute, same as the  Renaissance 7crs version of it below, intended as the next evolution of the 12crs, of course 12crs music could be played on here too, the barring is the same as the original so the sound would be a close to the 12crs as a 13crs could be. The ribs are in Indian Rosewood with boxwood spacers, the pegs also in Indian Rosewood, bridge and end pin in pear wood stained black, Black Walnut neck and extended neck, ebony fingerboard and soundboard edging with the original 'golden' rose. There are 13 frets to allow to play the Bach transcriptions (By Imamura) 

£2248 (case if needed, essential if getting delivered £744 currently)

Hear it being played below

 

8 course Renaissance Lute for sale

 Based on Hieber (MIM1561)

8crs Renaissance lute based on Hieber of Venice (MIM1561), original string length of 59.7cm in g' (a=440Hz) in NNG and CD basses, the Hieber lutes one of the few surviving lutes still in it's original form. This one has plum ribs, black walnut neck and peg box with original design pear wood pegs, plum wood fingerboard, alpine spruce soundboard with original rose and ebony edging, pear wood end pin.

£2718 (£2064+Kingham case £654)

7 course Renaissance lute for sale

 based on Wolfgang Wolf (Stadtmuseum Fussen Nr4669)

This interesting instrument by Wolfgang Wolf survives as a rare 12crs lute so didn't get converted to a later baroque lute as many did so has some interesting marks on the soundboard hinting at it's earlier life, I decided to make as it may have been originally made by Wolfgang Wolf in Fussen as a 6 or even a 7crs. The 7crs was chosen as it allows for more repertoire to be played, tuned in g' 61.5cm string length. Ribs are a mix of various shades of heartwood and sapwood Yew, slightly figured maple neck and peg box with pear wood pegs and bridge, black bog oak fingerboard (an eco-alternative to using ebony). The body is smaller in width than the popular Frei lute but noticeably deeper in depth as seen above (15cm). The instrument can be bought with a custom made Kingham case or the cheaper 'shuster' hard plastic case at £309, however the case is a pre made so not made to measure, so extra padding around the body sides inside is required.

£1771+ case £309

8 course Renaissance lute for sale

8crs multi ribbed lute based on Hans Burkholtzer (NE48) Gut strung

Below is a multi-ribbed yew wood lute based on Burkholtzer with the  but with a golden rose tuned to g' a= 440Hz NNG 1st crs with gut 2nd, 3rd and 4th crs and octaves with CD loaded gut bases, the string length is 64cm, this can be heard here. 

£2575+ Kingham case £618 

Here this golden rose Burkholtzer being played below: 

 13 crs (electric) lute/ angelique 

This latest creation is a 13crs swan neck lute based on the comfortable Hans Frei (C34) body and has the extended neck and bridge of the Widhalm (MIR 903). Single strung in Nylgut and CD bases, the bridge has positions for being strung as a double/standard baroque lute or seen here as single with higher tension strings and a 4 point pickup, as previously installed with the electric mandora. The bridge also has extra holes to allow stringing as a 16crs angelique too, so 3 instruments for the price of one!

The ribs, neck and extended neck are in figured maple and the extended neck panels in pearwood, pearwood pegs and bridge, with the fingerboard, bridge top and points in bog oak instead of ebony. The soundboard has a ebony edging. Kingham case in wine red exterior and a mink plush interior.

To order, £3309 inc case (£624)

7/8crs Electric Mandora based on the Frei Body (KHM C34)

This hybrid Mandora brings together the 19th century Electric Mandora made and played by Chris Hirst (hear it here https://www.youtube.com/watch?v=bBgp0Km1CgA, and here in ensemble https://www.youtube.com/channel/UCrlq0bGpYPH0fQTG_v5qE8Q) and the traditional Mandora as an un-amplified 7/8 crs conversion heared here played by Rod Blocksidge. So it can be played as a 7crs double strung Mandora (tuned d', a, f, C, G, D, C) or restrung to it's current state (tuned e, b, g, d, A, E, D, C). Dare I say it could be tuned as a renaissance lute in e with lute intervals just by tuning down a semitone, so 3 instruments in one potentially. 

Having converted Rod Blocksidges' Mandora from 7 to 8crs single recently (as heared in the link above) I decided to apply this to the 8 crs 19th century mandora I had made for Chris Hirst who uses it for modern ensemble music, hence the amplification. So by drilling the bridge with holes for 7 crs double and 8crs single and a nut that caters for both stringing then it combines the best of both Mandoras and more value for money for the player. Rod tells me the 8 crs can be used to play rare Russian music requiring 8 crs. 

The strings for 7 crs double and 8crs single have been adjusted to have the same overall tension, the neck and sickle pegbox are ebonised to be in keeping with guitars from the same period, and metal frets which worked just as well as gut, the back is in English yew pegs and bridge in Natural pearwood. The Hans Frei body (C34) is a popular choice, not too deep as later baroque lute bodies can be, once plugged in it's certainly loud enough!

To order, £ 1445, case not included in price

 6 course Spanish Guitar based on Joseph Benedid,

 Cadiz 1787 (Met Museum 1992.1.2)

Hear it being played here by Richard MacKenzie:

This new affordable guitar is the 6 course Spanish Guitar, a transitional instrument between the Baroque and the Early Romantic single strung guitar, the instrument above can be heard here played by Richard MacKenzie. This instrument can be strung as a Vihuela, a Baroque guitar (as seen above), a 6 course Spanish guitar ( as seen above) and 6 single Early Romantic Guitar (as above), so 4 in one if you really want to explore music!
The 6 course had a short life span, circa 1780's to 1810's. Some examples can be found on You-Tube played by Thomas Schmitt or via Presto Classical of Fernando Ferandiere's, Moretti's and Guzman's music, as well as recordings of Boccherini's guitar quintets by Jose Moreno, so plenty of nice music (https://www.prestomusic.com/classical/search?search_query=6+course+guitar)

6 course guitars are by Pages and Benedid, most in the Barcelona Music Museum. The typical 6 course has a similar body length and depth to the late baroque guitars, some still having gut frets on the fingerboard but this one was made with metal, considering some guitar players may not be familiar with replacing gut frets. The body is made of light weight English Yew, ebonised maple neck and head stock, pearwood pegs, Indian Rosewood bridge, alpine spruce top. Ebony edging like a lute would have. This instrument can be made without the sound hole rings (minus £100) Hear it being played here :https://www.youtube.com/watch?v=uJCbHRIplqI

and played much better here by it's owner.

To order, £ 950 excluding case

 The 8crs Single strung (Electric) Mandora

This latest creation has been an instrument I had planned to do before so was pleased to make it as a commissioned instrument for Mandora music and onwards. There are some surviving 8crs Mandora manuscripts I'm told but this will be used for more modern music. The sound is in-between the Early Romantic guitar with it's single strings, higher tension and the body of the mandora. An article written by Chris Hirst about this instrument and it's historical inspiration for it can be read in the Lute Society news Number 126 July 2018.

Such instruments would have been played between 1800-1830 as seen above by a painting by Friedrich von Amerling, the metal frets making it a step closer to the Romantic Guitar yet with the qualities of the lute. Composer Simon Moilitor (1766-1848) of Neckarsulm preferred such an instrument and is commemorated as seen below.

The body is English Yew, alpine spruce top with protective ebony edging, Ebony fingerboard with metal guitar fretting, plain maple neck, lime wood pegbox, pear pegs and bridge.Strung in Nylgut NNG and D basses tuned e',b,g,d,A,E,D,C. Pickups are mounted inside for increased volume but was noticeably louder than the previous double strung mandora due to higher string tension. Here it being played https://www.youtube.com/watch?v=DDTTCMlyWLk also here being played in a modern ensemble: https://www.youtube.com/channel/UCuD9usuPzUoye1SM-ZnJOPA

£1335 ( optional pickup is an extra £110 ) excludes case

For some festive music, tis the season...!

Late Medieval/Early Renaissance Lute

The recent creation of this Late Medieval/Early Renaissance Lute was commissioned by the National Trust for the enjoyment of a wider audience and encourage children not to be afraid to touch a specialist instrument and have fun exploring the sounds. Also it will be played by their resident musician Angela either in lute tuning or slightly adjusted to guitar intervals for playing from guitar music. It's an area which i have been banging on for a few years now so was happy to make this instrument available to be enjoyed in the setting where it was originally played perhaps by Queen Elizabeth herself at Knowle.

The woods used are European Ash and pear wood with Alpine spruce so no exotic woods used at that time and is based on iconography and paintings from the late medieval/early renaissance. The body shape based on a wooden sculpture of Pythagoras playing a small lute and barring based on Arnaut of Zwolle's technical drawing of a late medieval lute and some serviving early renaissance lutes. Popular tunes are played here which hopefully will be enjoyed in Knowle for the visitors to enjoy:)

New to the student range....

The student Lute-guitar is essentially a lute based on
Laux Maler (MI54) but tuned like a guitar in e b g d A E B/C (a =440Hz) 65cm string length, like the guitar so no changes to the left hand, but just by tuning the 3rd course down f sharp you also have a lute in e. This allows a guitar player to play an authentically constructed lute but in the familiar tuning, no need to learn lute tablature. However should you choose to learn lute tablature later the option of tuning down one string opens up a vast amount of new music not transcribed for the guitar from lute. This instrument can be used as a solo lute or  as accompaniment to ensemble as a tenor lute or to voice. The back is made of heartwood yew, the neck and pegbox are maple and the bridge and pegs are pear wood. The fingerboard is bog oak, the eco-alternative to ebony. Guitar players seem to love this instrument because it allows them to play a light-weight lute-guitar as opposed to the heavier ones seen online that derive from the wandervogel or swedish theorbo. Below is a sample of what music can be played on the instrument: